prikaz prve stranice dokumenta The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful
Pristup korisnicima matične ustanove
Znanstveni rad - Poglavlje u knjizi
The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful
U: What is Beauty? / Rossi Monti, Martino; Pećnjak, Davor (ur.). Newcastle upon Tyne: Cambridge Scholars Publishing, 2020. str. 172-188. urn:nbn:hr:261:848616
Boršić, Luka

Citirajte ovaj rad

Boršić, L. (2020). The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful. U M. Rossi Monti, (Ur.), D. Pećnjak, (Ur.), What is Beauty? (str. 172-188). Newcastle upon Tyne: Cambridge Scholars Publishing. Preuzeto s https://urn.nsk.hr/urn:nbn:hr:261:848616

Boršić, Luka. "The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful." What is Beauty?, Ur. Martino Rossi Monti, Ur. Davor Pećnjak, Cambridge Scholars Publishing, 2020, str. 172-188. https://urn.nsk.hr/urn:nbn:hr:261:848616

Boršić, Luka. "The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful." U What is Beauty?, ur. Martino Rossi Monti, ur. Davor Pećnjak, 172-188. Newcastle upon Tyne: Cambridge Scholars Publishing, 2020. https://urn.nsk.hr/urn:nbn:hr:261:848616

Boršić, L. (2020) 'The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful' u Rossi Monti, M. (ur.), Pećnjak, D. (ur.) What is Beauty? Newcastle upon Tyne: Cambridge Scholars Publishing, str. 172-188. Preuzeto s: https://urn.nsk.hr/urn:nbn:hr:261:848616 (Datum pristupa: 18.04.2024.)

Boršić L. The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful. U: M. Rossi Monti, ur., D. Pećnjak, ur. What is Beauty?. Newcastle upon Tyne: Cambridge Scholars Publishing; 2020. Str. 172-188. [pristupljeno 18.04.2024.] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:261:848616

L. Boršić, "The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful", What is Beauty?, M. Rossi Monti i D. Pećnjak, Ur. Newcastle upon Tyne: Cambridge Scholars Publishing, 2020, str. 172-188. [Online] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:261:848616

Za citiranje koristite ovu mrežnu adresu: https://urn.nsk.hr/urn:nbn:hr:261:848616
Prijavite se u repozitorij kako biste mogli spremiti objekt u svoju listu.
Podaci o radu
Naslov (engleski)The Petrić-Bottrigari Controversy over Tetrachords: A Renaissance Debate on the Basis of the Musically Beautiful
AutorLuka Boršić
UrednikMartino Rossi Monti
UrednikDavor Pećnjak
Autorova ustanovaInstitut za filozofiju
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Filozofija
Sažetak (engleski)
In this essay I wanted to show the first part of a relatively little-known musical debate originated by Frane Petrić’s description of the tetrachords, followed by Ercole Bottrigari’s criticism, probably backed up by Annibale Melone, and ended in Artusi’s defence of Petrić. With the humanist rediscovery of many of ancient Greek textual sources, Greek musical theories were widely discussed in the Renaissance. Some whole- heartedly adopted these theories, while others questioned the feasibility of reviving them in order to frame the contemporary musical practice. The core of these debates were controversies over the tuning system. Petrić-Bottrigari debate fits into this group of debates. From the perspective of the music aesthetics of our time, these debates may seem quite dry and utterly technical. However, as the contemporary evidence shows, these debates were understood as aesthetic in their essence. Debating over tuning, or tetrachords, or relationships among intervals meant debating over the most fundamental and constitutive elements that make music beautiful or ugly, good or bad. What we perceive as a well- composed or well-played musical piece depends ultimately not only on how the instruments are tuned, but also on what kind of relationship among the tones has been adopted both by the composer and the performer. Slight differences among competing tuning system, as well as different understandings of the relationships between notes, may result in variations which make a musical piece sound good or bad. To the discerning musical ear, of course.
Ključne riječi (engleski)
Jezikengleski
Vrsta publikacijeZnanstveni rad - Poglavlje u knjizi
Status objaveObjavljen
Vrsta recenzijeRecenziran
Verzija publikacijeObjavljena verzija rada (izdavačev PDF)
Naslov knjigeWhat is Beauty?
Brojčani podacistr. 172-188
ISBN1-5275-6013-9
URN:NBNurn:nbn:hr:261:848616
Datum objave publikacije2020
URL dokumentahttp://bib.irb.hr/1098774
Vrsta resursaTekst
IzdavačCambridge Scholars Publishing
Mjesto izdavanjaNewcastle upon Tyne
Prava pristupaInstitucijski pristup
Uvjeti korištenjaIkona licence Zaštićeno autorskim pravom.
Datum i vrijeme pohrane2023-02-14 14:16:28