prikaz prve stranice dokumenta Rhythmic Movement
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Scientific paper - Original scientific paper
Rhythmic Movement
Research in phenomenology, 43 (2013), 3; 405-418. https://doi.org/10.1163/15691640-12341267
Barbarić, Damir

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Barbarić, D. (2013). Rhythmic Movement. Research in phenomenology, 43. (3), 405-418. doi: 10.1163/15691640-12341267

Barbarić, Damir. "Rhythmic Movement." Research in phenomenology, vol. 43, no. 3, 2013, pp. 405-418. https://doi.org/10.1163/15691640-12341267

Barbarić, Damir. "Rhythmic Movement." Research in phenomenology 43, no. 3 (2013): 405-418. https://doi.org/10.1163/15691640-12341267

Barbarić, D. (2013) 'Rhythmic Movement', Research in phenomenology, 43(3), pp. 405-418. doi: 10.1163/15691640-12341267

Barbarić D. Rhythmic Movement. Research in phenomenology [Internet]. 2013 [cited 2025 April 04];43(3):405-418. doi: 10.1163/15691640-12341267

D. Barbarić, "Rhythmic Movement", Research in phenomenology, vol. 43, no. 3, pp. 405-418, 2013. [Online]. Available at: https://urn.nsk.hr/urn:nbn:hr:261:456232. [Accessed: 04 April 2025]

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Metadata
Title (english)Rhythmic Movement
AuthorDamir Barbarić
Author's institutionInstitute of Philosophy
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philosophy
Abstract (english)
This article attempts a critical interpretation of Klee’s basic thoughts on the source and essence of art, based primarily on his diary entries and his lectures at the Bauhaus. The starting point of the interpretation is Klee’s fundamentally dynamic assumption of the primacy of becoming and movement vis-a-vis static being. Each work of art, for Klee, is essentially movement, although as organized and structured by rhythm. The source of the rhythmic movement he recognizes as chaos, which he... More defines as the most elemental fact, which precedes the difference of being and becoming, of rest and movement, and with which the artist in each of its creative acts must first identify. The elemental presence of chaos is the point, not an abstract and dead mathematical one, but one that is alive and moving, to which the force, tension, and impulse for movement essentially belongs. Every work of authentic art is the representation of the primal opposition of chaos and order, symbolized at first by the opposites of point and line. In the further development of this opposition, the multiple dimensions of contrast between straight and curved, vertical and horizontal, light and darkness as well as the various colors in their practically endless gradations coalesce within the work of art into a tension-wrought yet harmonically balanced arrangement. Less
Keywords (english)
Languageenglish
Publication typeScientific paper - Original scientific paper
Publication statusPublished
Peer reviewPeer review - international
Publication versionPublished version
Journal titleResearch in phenomenology
Numberingvol. 43, no. 3, pp. 405-418
p-ISSN0085-5553
DOIhttps://doi.org/10.1163/15691640-12341267
URN:NBNurn:nbn:hr:261:456232
Publication2013
ProjectNumber: 191-1911113-1107
Title (croatian): Zasnivanje metafizike u Platonovoj filozofiji
Title (english): The Foundation of the Metaphysics in Platos Philosophy
Leader: Damir Barbarić
Jurisdiction: Croatia
Funding stream: ZP
Type of resourceText
Access conditionsInstitutional access
Terms of useLicence In copyright icon
Created on2022-02-01 10:53:32
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